CANDY NARTONIS

1200 Washington Street No. 218

Boston MA 02118

(617) 426-5303

cd.nartonis@verizon.net

 

 

SELECTED ONE-PERSON EXHIBITIONS

2002  Fletcher/Priest Gallery, Worcester, MA, September 13 – October 24

2001  Elliot Smith Contemporary Art, St. Louis, “New Work,” March 2 - April 7

2000  Trustman Art Gallery, Simmons College, Boston, “Currents and Cross-Currents,” April 18 - May 28

1999  Fletcher/Priest Gallery, Worcester, Massachusetts, September 10 – October 30

         Elliot Smith Contemporary Art, St. Louis, May 7 - June 20

1998  University Place Art Center, Lincoln, Nebraska, April

1997  Elizabeth Leach Gallery, Portland, Oregon, November

1996  Elliot Smith Contemporary Art, St. Louis, “Black Iris,” November 22 - December 29

1995  Alexa Lee Gallery, Ann Arbor, Michigan, “Passages,” December 1 - January 6

1994  Elizabeth Leach Gallery, Portland, Oregon, “Tamarind Monotypes,” December

         Elliot Smith Contemporary Art, St. Louis, “Recent Work,” December 2 - January 15

1993  Fletcher/Priest Gallery, Worcester, Massachusetts, “Monumental,” October

1991  Mary Ryan Gallery, New York, “Monotypes,” with Anthony Rice and Annette Carter, August 7 - September 7

         The Golden Gallery, Boston, “Cynthia Nartonis,” November 15 - December 23

1990  Elliot Smith Contemporary Art, St. Louis, “Callas,” November

         University Place Art Center, Lincoln, Nebraska, “Cynthia Nartonis, Screen Monoprints,” January 5 - 31

1989  Mary Ryan Gallery, New York, “Cynthia Nartonis,” January 7 - February 4

         Elizabeth Leach Gallery, Portland, Oregon, “Cynthia Nartonis,” November 2 - December 3

1988  Elliot Smith Contemporary Art, St. Louis, “Cynthia Nartonis,” June 3 - July 10

1987  Grafica Gallery, St. Louis, “Cynthia Nartonis, works from 1984 - 1987,”April 3 - May 2

         Towata Gallery, Alton, Illinois, “Cynthia Nartonis,” March 1 - 31

1986  University Place Art Center, Lincoln, Nebraska, “Cynthia Nartonis,” April - May

1985  Samuel Stein Fine Arts, Chicago, Illinois, “Works on Paper,” November 1 - 30

1981  VB Gallery, St. Louis, “Nartonis,” November 8 - December 12

 

SELECTED GROUP EXHIBITIONS

2006     City Women: Boston Community Artists, juried by Cecelia Levin, Gallery at the Piano Factory, Boston, MA, February

            New Landscape: The Boston Printmakers Members’ Show, Juried by Katherine French, Danforth Museum of Art, Framingham, MA, January 29-April 2

2005     5th Biennial International Miniature Print Exhibition 2005, Center for Contemporary Printmaking, Norwalk, CT, April 3-May 21

            The Boston Printmakers 2005 North American Print Biennial, 808 Gallery, Boston University, Boston, MA, Feb. 23-March 27

            Botanicals, Muskat Studios, Somerville MA, February 17-April 23

2004     Time Remembered/Time Past, The Art Complex Museum, Duxbury, MA, May-Sept.

The Tile Project, Trans-Cultural Exchange, Turkey, Azerbaijan, Bosnia, Finland, France, Germany, India, Israel, Mexico, New Zealand, The Philipines, Romania, South Africa, South Korea, Spain, Taiwan, Vietnam, the United States.

"Revisiting” with Jim Cole, Philip Wooley, David Mann, Tom Reed, Arthur Osver, Victoria McAlister, Ernestine Betsberg, Ken Worley, Peter Marcus, Andrew Mockler, Ahzad Bogosian, Mary Ann Strandell, Elliot Smith Contemporary Art, St. Louis, March-April.

 

2003     First Exhibition, Arthur Hill Gallery, Boston, September 2003

            Print Show, Turtle Gallery, Deer Isle, Maine, September 2003

            Brewster Project:  Cabinet of Curiosities, organized by Mary Sherman, Brewster, Long Island NY, Summer, 2003

Elliot Smith Gallery, St. Louis for a group exhibition new work: Ernestine Betsberg, Elaine Blatt, Joan Hall, Billy Hassell, Peter Marcus, Cynthia Nartonis, Arthur Osver, Tom Reed, Michael Swisher and Ken Worley, July 25-September 6, 2003

“Somewhere Between the Aabstract and the Object” with Jennifer Erbe, Roberta

Delaney, Abigail Norman, and Raurene Krasny Brown, Boston,  March 14-May 16

“Print Show:  Printmakers from the NE and Canada” Francesca Anderson Fine Art

Lexington MA Feb. 6-March 15

“Works by Women from the Collection of the BPL” curated by Sinclair Hitchings, Boston

Public Library, Boston April 3-May 27

The Boston Printmakers North American Print Biennial, Boston University, Boston,

Feb. 23-April 6

“The Print Cabinet: SGC Boston 2003 Organizing Committee” Sarah Hutt and Michael

David, Curators March 24-May 3

“Small Prints:  A Boston Printmakers Members Show” Boston Arts Academy Gallery,

Boston, March 26-April 30

2002     “Snapshot” Elizabeth Leach Gallery, Portland OR, Oct/Nov

            “Visions of Nature” Elliot Smith Contemporary Art, St. Louis, July and August

            “The Drawing Show” Bill Arning, Curator of MIT List Visual Art Center, Juror, Mills Gallery, BCA, Boston, Dec. 15 to Feb. 10, 2002.

            “Contemporary Print Expo,” Elliot Smith Contemporary Fine Arts, with Donald Baechler, Chuck Close, Eric Fischl, David Hockney, Judy Pfaff, Hollis Sigler, Kiki Smith and others, Dec. 7, 2001 to Jan 13, 2002

         “150 x 150,” The Gallery @ Green Street, Boston, September

         “Re-Interpreting the Masters,” a Juried Show of works by Massachusetts Artists inspired by artwork from the permanent collection of the Worcester Art Museum, Fletcher/Priest Gallery, Worcester MA, Nov.-Jan. 2002

2001  Prints and Drawings, MPG, Boston, December

         Small Works, Jules Place, Boston, December

         “Simmons Collects,”  Trustman Gallery, Simmons College, Boston, September-October

         “The Forest, The Trees,” Elliot Smith Contemporary Fine Arts, with Jim Dine, Douglass Freed, Ellsworth Kelly, James McGarrell, Joan Nelson and others, July 6-Sept. 9

         “Small Works,” Muskat Studio, Boston, March

         “Boston Printmakers’ North American Print Exhibition,” 808 Gallery, Boston University, February-April

         “Workshop Traditions: Printmaking in Boston since 1960,” Boston University Art Gallery, February-April

2000  “150 x 150,” The Gallery @ Green Street, Boston, December 1 - 6

         “DeCordova Downtown: Art that means business,” Federal Reserve Bank of Boston Gallery, October 6 – November 24

         “Views from the Press,” University Place Art Center, Lincoln, Nebraska, August 4 - 31

         “Paperworks: Fifty Years of Contemporary Art on Paper,” Magnifico! Albuquerque Festival of the Arts, New Mexico, with Christopher Brown, Squeak Carnwath, Roy DeForest, Lesley Dill, Brice Marden, Wes Mills, Dan Rizzie, Richard Serra, Bill Thompson, Sean Scully, Emmi Whitehorse, and others, March 4-31

         “Artists Book and Print Show,” Turtle Gallery, Deer Isle, Maine, August 20 - September 30

          “White on Black,” Jules Place, Boston, August 16 – September 10

         "Under Pressure," University Place Art Center, Lincoln, Nebraska, July - August

         “Prints,” Francesca Anderson Fine Art, Lexington, Massachusetts, March 11 - April 15

         “Art from the heart,” Rosie’s Place, Fairmont Copley Hotel, Boston, February 11

1999  “Black and White: Boston Printmakers Group Show,” Federal Reserve Bank Gallery, Boston, from October 7

         “The Boston Printmakers Biennial 1999,” 808 Gallery at Boston University, March 7- April 3

         Group Show, Michael Price Gallery, Boston, March 5-April 4

         “Art Connection Artists,” Cabot Room, Boston Symphony Hall, March

         Turtle Gallery, Deer Isle, Maine, Summer

1998  “First Fall: The Art Connection Artists,” South End Public Library, Boston

         Turtle Gallery, Deer Isle, Maine, September

1997  Tamarind Institute, Albuquerque, New Mexico, October

         Boston Printmakers Members’ Show, Duxbury Art Complex, November

         “Incidental Grandeur,” Mills Gallery, Boston, August 27-October 26

         “Old & New,” Turtle Gallery, Deer Isle, Maine, August 17-31

         “4th of July Paintings,” Turtle Gallery, Deer Isle, Maine, June 29-July 5

         “The Garden,” Tamarind Institute, Albuquerque, New Mexico, with Margo Humphrey, Roberto Juarez, Dan Rizzie, Donald Sultan, and others, June

         “Fiftieth Anniversary North American Print Exhibition,” Bakalar Gallery, Massachusetts College of Art, sponsored by The Boston Printmakers, March 2-29

         “Monoprints,” Miller Block Gallery, Boston, February 15-March 18

1996  “Printmakers ‘96,” The Pittsburgh Print Group, University of Pittsburgh, Pittsburgh, Pennsylvania, juried by Carol Pulin, November 1-December 12

         “Vessels,” The St. Paul Company, St. Paul, Minnesota

         “XV,” Elizabeth Leach Gallery, Portland, Oregon, with Arnold, Bourgeois, Butterfield, Diebenkorn, Dill, Fischl, Friedlander, Groover, Murray, Scully, Thiebaud, Tobey, Wiley, and others, July 31 - August 31.

         ”Fruit,” University Place Art Center, Lincoln, Nebraska, May 10 - June 19

         “Annual Print Show,” Turtle Gallery, Deer Isle, Maine, June 9 - July 13

         “Focus on 51.5%,” Fletcher/Priest Gallery, Worcester, Massachusetts, February 17 - March 16

1995  “All Media,” Turtle Gallery, Deer Isle, Maine, September 3 - 30

         “Monomania,” Clark Gallery, Lincoln, Massachusetts, with Adria Arch, Maggi Brown, Michael David, Lei-Sanne Doo, Danette English, Timothy Harney, Joanna L. Kao, Todd McKie, Anne Neely, Deborah Putnoi, Alice Spencer, Mary Spencer, June 20 - July 28

         “National Print Exhibition,” Elizabeth Leach Gallery, Portland, Oregon, with Louise Bourgeois, Lesley Dill, Sam Francis, Lawrence Gipe, Howard Hodgkin, Laurna Simpson and others, December

         “New Artists, New Work,” Turtle Gallery, Deer Isle, Maine, May 28 - June 10

         “Trees,” University Place Art Center, Lincoln, Nebraska, curated by Gayle Bergmeier-Sipherd, Spring

         “Prints, Drawings, Works on Paper,” Turtle Gallery, Deer Isle, Maine, June 11 - July 1

         “Great Art,” with Chris Brown, Squeak Carnwath and others, Fletcher/Priest Gallery, Worcester, Massachusetts, January 1 - February 18

         “Contemporary Ceramic Sculpture and Master Prints,” Elliot Smith Gallery, St. Louis, January 5 - February 11

         “New Work,” Gallery Mourlot, Boston, with Michael David, Anthony Fisher and Patty Stone, January

         “Fruit,” Ashuah-Irving Gallery, Boston, March

         “Did You Say Still Life?” with Nell Blaine, Wayne Thiebaud, and others, Fletcher/Priest Gallery, Worcester, Massachusetts, October 6 - 28

1994  “Pleasures from the Garden,” Pfizer, Inc. Gallery, New York, New York, curated by the Museum of Modern Art, Art Advisory Service, New York, with David True, Robert Kushner, Frank Majore, Mike Glier and others, Spring

         “The Studio Show,” curated by Vincent Marasa, Wen - Ti Tsen, Marilyn Richardson, and Carole Anne Meehan, Boston Center for the Arts, Boston, September

         “Creativity at the press,” curated by Bob Rhoades, with Joan Snyder, Eric Fischl, Bryan Hunt, Sam Francis, Sol Lewitt and others, Mendocino Art Center, Mendocino, California, October 8 - 20

         “Presswork, The Art of Women Printmakers,” Portsmouth Museum, Portsmouth, Virginia, curated by Ellen Frautschi Johnson, with Ida Applebroog, Jennifer Bartlett Janet Fish, Helen Frankenthaller, Nancy Graves, Mary Heilmann, Nancy Spero, Pat Steir, Elizabeth Murray, Joan Mitchell, and others, December 19, 1993 - January 30, 199; traveled to Spiva Art Center, Joplin, Missouri, August 28 - October 9, catalog.

         “10th Anniversary Show,” Elliot Smith Gallery, St. Louis, September

         “Group Show,” Turtle Gallery, Deer Isle, Maine, August - September.

         “Old Friends/New Friends,” Fletcher/Priest Gallery, Worcester, Massachusetts

1993  “All About Boats,” Elliot Smith Gallery, St. Louis, July 9 - August 29

         “Deus Fecundus,” Fletcher/Priest Gallery, Worcester, Massachusetts

         “Presswork, The Art of Women Printmakers,” The Butler Institute of American Art, Youngstown, Ohio, curated by Ellen Frautschi Johnson, with Ida Applebroog, Jennifer Bartlett Janet Fish, Helen Frankenthaller, Nancy Graves, Mary Heilmann, Nancy Spero, Pat Steir, Elizabeth Murray, Joan Mitchell and others, April 11 - May 23, traveled to Atlanta College of Art, Wooddruff Arts Center, Atlanta, Georgia December 23, 1992 - January 17, 1993; Fine Arts Gallery, Kansas City, August 15 - September 26; Edwin A. Ulrich Museum of Art, Wichita, Kansas, October 17 - November 28, catalog

         “Botanicals,” Elliot Smith Gallery, St. Louis, February 26 - April 11

         Art Boston 1993, October fundraiser for Design Industries Foundation for Aids

1992  “Group show,” Fletcher/Priest Gallery, Worcester, Massachusetts

         “At the Edge II,”    Del Rio Council Gallery, Del Rio, Texas, curated by Wendy Weitman, with Peter Brooke, Rebecca Friedman, Kim Bauer and others, March 2 - 27, traveled

         “11, A Group Exhibition,” Mary Ryan Gallery, New York, with Bourgeois, Wilwarth, Raushenberg, Gornick, Hodgkin, Kruger and others, October 1 - 24

         “Alumni Exhibition,” Sesquicentennial Celebration Willamette University, Salem, Oregon, Summer

         “Presswork, The Art of Women Printmakers,” University Art Museum, University of Minnesota, Minneapolis, curated by Ellen Frautschi Johnson, with Ida Applebroog, Jennifer Bartlett Janet Fish, Helen Frankenthaller, Nancy Graves,          Mary Heilmann, Nancy Spero, Pat Steir, Elizabeth Murray, Joan Mitchell, and others, January 9 - March 14, traveled to Elvehjem Museum of Art, Madison, Wisconsin, June 21 - August 16, catalog

1991  “Of Nature and the Human Spirit,” Daniel Saxon Gallery, Los Angeles, with Rupert Garcia, Luis Serrano and others, January 11 - February 9

         “Presswork, The Art of Women Printmakers,” The National Museum of Women in the Arts, Washington, D.C., curated by Ellen Frautschi Johnson, with Ida Applebroog, Jennifer Bartlett Janet Fish, Helen Frankenthaller, Nancy Graves, Mary Heilmann, Nancy Spero, Pat Steir, Elizabeth Murray, Joan Mitchell, and others, September 24 - December 1, traveling show, catalog

         “People - Places - Things,” Elliot Smith Gallery, St. Louis, with Joseph Piccilloand others, June 14 - July 21

         “Of Nature and the Human Spirit II,” Daniel Saxon Gallery, Los Angeles, with John Valadez, Rachel Paxton, Gronk, Rupert Garcia and others, July 12 - August 31

         “10th Anniversary Exhibition,” Elizabeth Leach Gallery, Portland, Oregon, May 2 - June 1

          “Poncho’s 1991 Invitational Fine Art Exhibition,” Security Pacific Gallery, Seattle, Washington, with Mel Bochner, Dale Chihuly, Laddie John Dill and others, April 11 - 25

         “At the Edge II,” Wichita Falls Art Gallery, Wichita Falls, Texas, curated by Wendy Weitman, with Peter Brooke, Rebecca Friedman, Kim Bauer and others, January 1 - 31, traveled

         “43rd North American Print Exhibition,” DeCordova Museum, Lincoln, Massachusetts, curated by Ruth E. Fine, with Aline Feldman, Karen Kunc, Sidney Hurwitz and others, April 20 - June 9

         “22 Women Artists,” Maybeck Gallery, Principia College, Elsah, Illinois, curated by Duncan Martin, with Carol Carter, Anne Farley Gaines, Jennifer Reeves and others, January - February - March

1990  “At the Edge II,” Laguna Gloria Art Museum, Austin, Texas, curated by Wendy Weitman, with Peter Brooke, Rebecca Friedman, Kim Bauer and others, August 4 - September 2, traveled.

         “Voyages of the Modern Imagination, The Boat in Contemporary Art,” Farnsworth Museum, Rockland, Maine, curated by Chris Crossman, with Andrew Wyeth, Carroll Todd, John Ruppert and others, August - September

         “Artist’s Choice,” Elliot Smith Gallery, St. Louis

         “At the Edge II,” Lon Morris College Gallery, Jacksonville, Texas, October 7 - November 2; Wichita Falls Art Association, January 7 – February 2; The Nave Museum, Victoria Texas, September 13 – November 4; Grayson County College, Denison, Texas, October 1 – 20; Southwestern University, Georgetown, Texas, November 12 – December 16; Cultural Activities Center, Temple, Texas, November 27 – December 21; curated by Wendy Weitman, with Peter Brooke, Rebecca Friedman, Kim Bauer and others

         “Selected Screen Prints,” Mary Ryan Gallery, New York, with J. Gilbert-Rolfe, Alex Katz, Lee Krasner, Robert Mangold, Jennifer Bartlett and others, January 17 - February 10

1989  “Black & White w Red,” Elliot Smith Gallery, St. Louis, July 14 - September 3

         “Prints and Process, History of American Prints,” University of Hawaii, Honolulu

         “Monoprints/Monotypes, Images by Twenty Contemporary Artists,” University of Maine Museum of Art, Orono, Maine, curated by Guest Curator, Mia Feroleto, with Lynda Benglis, Richard Bosman, Eric Fischl, Yvonne Jacquette, Michael Mazur and others, February 20 - March 28, catalog

         “At the Edge,” Laguna Gloria Art Museum, Austin, Texas, February 11 – March 12; Union Gallery, Austin, Texas, September 5 – 29; Shore Gallery, Abilene, Texas, October 5 – 29; curated by Barry Walker, with Eric Avery, Dan Rizzie, Maggi Brown, Paul Manes and others, catalog.

         “Art Auction,” curated fund-raiser, Christie’s, New York

1988  “Monotypes,” Elizabeth Leach Gallery, Portland, Oregon

1987  “New Directions,” Elliot Smith Gallery, St. Louis

         “Group Show,” Locus Gallery, St. Louis

         “Group Show,” University Place Art Center, Lincoln, Nebraska

1986  “Handprints,” Saint Louis Community College, St. Louis

1985  “Benefit Show,” St. Louis artists invitational

 

 

SELECTED EXHIBITION REVIEWS & ARTICLES

Joanne Silver, “Drawing Attention,” Boston Herald, (January 4, 2002), pp. 55-56

Richard, Foster, “Great art knows no color,” South End News, (August 24, 2000), pp. 19, 22

Bisbee, Dana, “Corporate Images,” Boston Herald, (April 7, 1999), pp. 55-57

Tamarind Institute 1998 catalog

McQuaid, Cate, “Memorable gallery shows of the past year,” Boston Globe, (January 1, 1998)

Millis, Christopher, “Incidental Grandeur,” Artsmedia, (October, 1997), p. 23

McQuaid, Cate, “Grandeur: Building on Ideas of Home,” Boston Globe, (October 15, 1997), p. C6

“A Day in the Life,” Glue [Boston], (September 1997), p. 15

Millis, Christopher, “BCA bucks trend with quirky show,” South End News [Boston], (September 11, 1997), pp. 16, 20

Hill, Shawn, “The Michael David factor,” Bay Windows [Boston], (February 27, 1997), pp. 33, 38

Art in Embassies: American Embassy, Cairo, Egypt 1997 catalog, pp. 14 and 18

Chase, Alyssa, “Flower Power,” Riverfront Times [St. Louis], (December 11-17, 1996), p. 67

“Expand your taste,” Riverfront Times [St. Louis], (November 20-26, 1996), p. 73.

Duffy, Robert W, “Crafting an Understanding of the Past,” St. Louis Post-Dispatch, (October 5, 1996), p. 26.

Austin, April, “Art’s Longing for Connectedness,” The Christian Science Monitor, (Friday, October 4, 1996), pp. 10-11.

Millis, Christopher, “South End artists shine at A Street, Regalia,” South End News [Boston], (April 4, 1996), p. 16

Cantu, John Carlos, “Passages’ exhibition...” Ann Arbor [Michigan] News, (December 24, 1995), p. E7

“Nartonis exhibits,” South End News [Boston], (November 30, 1995), p. 17

Carlock, Marty, “’Monomania’ hits Clark Gallery,” Wayland/Weston Town Crier [Weston, Massachusetts], (July 20, 1995), p.21

Stapen, Nancy, “Art black and white but rich in color,” The Boston Globe, (January 19, 1995)

McQuaid, Cate, “Short Takes,” South End News [Boston], (January 26, 1995)

Wisneski, Kurt, Monotype/Monoprint: History and Techniques, (Ithaca, New York: Bullbrier Press, 1995), p.103

McQuaid, Cate, “Best of Boston,” South End News [Boston], (September 15, 1994), pp. 13-14

Heartney, Eleanor, Presswork, The Art of Women Printmakers, catalog for the exhibition at The National Museum of Women in the Arts, Washington, D.C., (Lang Communications, 1991),   p. 25.

Feroleto, Mia, Monoprints/Monotypes, catalog for the exhibition at the Museum of Art, University of Maine, Orono, Maine, (February 1989), p. 21

Fine, Ruth E., The Boston Printmakers, 43rd, catalog for the exhibition at the DeCordova Museum, Lincoln, Massachusetts, (April 1991)

Carlock, Marty, “Unique ‘Monomania’ at Clark offers different take on monoprints, ”Lincoln Journal [Lincoln, Massachusetts], (July 13, 1995), p.9

Gragg, Randy, “Visual Arts,” The Oregonian [Portland, Oregon], (December 29, 1995)

Duffy, Robert W., “Intensity, Voluptuousness,” St. Louis Post-Dispatch, (December 8, 1994)

Temin, Christine, “Art’s immediacy is palpable at BCA,” The Boston Globe, (September 14, 1994)

Hansen, Trudy, Presswork, The Art of Women Printmakers, catalog for the exhibition at The National Museum of Women in the Arts, Washington, D.C., (Lang Communications, 1991), p. 25

Posner, Corinna, “Fletcher/Priest Gallery/Worcester, Cynthia Nartonis,” Art New England, February/March, 1994, p. 60

Pulin, Carol, “Presswork, The Art of Women Printmakers,” Woman’s Art Journal. (Laverock, Pennsylvania, Spring/Summer, 1993), pp. 54 - 55

Mclan, Nico, “Golden Gallery/Boston,” Art New England, (February/March, 1992), p. 51

Black, Amy, “Finding common themes,” Principia Pilot [Elsah, Illinois], (February 8, 1991), p. 2

Harsdoff, Linda, “Black, White Works Dominate ‘At the Edge’ Exhibit,” The Victoria Advocate [Victoria, Texas] (September 15, 1990), p. 3A

Marxsen, Patti M, “Farnsworth Museum Features Boats, Real and Imagined,” Camden Herald [Maine], (August 30, 1990), p.20

Oleson, J.R., “Visual Arts,” American Statesman [Austin, Texas], (August 11, 1990)

Smith, Mark, “At the Edge Reveals Intimate Traces of the Artist’s Hand,” American-Statesman [Austin, Texas], (February 16, 1989), pp. D2-D3

Sackett, Schuyler, “One Norway Street,” interview, Channel 68 WQTV [Boston], (June 19, 1989)

Wolff, Theodore F., “Mastering the Monoprint,” The Christian Science Monitor [Boston], (January 24, 1989)

Rice, Nancy, “Absence of Figures is a Key to Monoprints,” St. Louis Post-Dispatch, (June 25, 1988)

Harris, Paul, “Nartonis’ Monoprints Subdued Still Lifes,” Suburban Journal [St. Louis], (June, 1988)

Hoffman, Elisabeth, “Grafton artist puts faith in fine art of nurturing,” The Telegraph [Alton, Illinois], (March 5, 1987), p. B8

Weitman, Wendy, At the Edge II, A National Print and Drawing Exhibition, catalog for the exhibition at the Laguna Gloria Art Museum, Austin, Texas, (August 1990), p. 4

“Teacher’s Oils Show Bright-Hued Ribbons,” St. Louis Post-Dispatch, (November 17, 1986)

“Artist Plans to Share Working Knowledge,” Nebraska World-Herald [Lincoln], (January 1, 1990)

“Recent Acquisitions,” Corporate Art News [New York], Vol. 5, (No. 4, August, 1988)

 

 

SELECTED COLLECTIONS

Alsopp McKinley, New York

Ameritech Publishing Corporation, Chicago

Anderson Brothers, New York

AT&T, New York, St. Louis

AT&T Information Systems, Chicago

Atlantic Companies, Chicago

Ballinger Design Associates, Indianapolis

Bank of the North West, Portland OR

Barnes Hospital, St. Louis

Baxter - Travenol, Chicago

Berkshire Partners, Atlanta and Boston

Boston Public Library Print Collection, Boston

Burlington Northern Corporation

Boston Consulting Group, Atlanta

Brodeur Worldwide, Boston

Byers Corporation, New York

Canadian Imperial Bank, Chicago

Chaloner Associates, Boston

Champion International Corporation

Citibank, N. A., Long Island City, New York

Clapp, Kieffer & Associates, Chicago

Commerce Bank, St. Louis

County Banks of St. Louis

Davis, Fenton, Stange, Darling, Lincoln, Nebraska

Dresser Industries, Chicago

R. G. Edwards, Inc., St. Louis

Fidelity Investments, Boston

Field Container Corporation, Chicago

First National Bank, St. Louis

Fuller Brokerage, Chicago

The Gardener, Berkeley, California

GNP Commodities, Chicago

Griffin, Kubrick, Stephens & Thompson, Chicago

Hallie Ford Museum of Art, Willamette University, Salem, Oregon

Hangzhou Art Academy, Hangzhou, China

Harry & David, Inc., Medford, Oregon

The Heathman Hotel, Portland, Oregon

Heinhold Commodities, Chicago

Hillcrest Medical Center, Tulsa

Hilton Hotel, St. Louis and Portland, Oregon

IBM, Atlanta, Omaha, Pittsburgh, St. Louis, Wichita

Incarnate Word Hospital

Johnson, Cusak & Bell, Chicago

Joint Commission of Accreditation of Hospitals, Chicago

Lang Communications, New York

Levanthal and Horvath, St. Louis

Leggat McCall Properties, Boston

Mark Twain Banks, St. Louis

MCI, St. Louis

McDourgal, Littell & Corporation, Chicago

McKinley Allsopp, New York

Marsh and McClennen, Accountants, Tulsa, Boston

Marshall - Erdman and Associates

Mayo Clinic, Rochester, Minnesota

Mercy Hospital, Roseburg, Oregon

Michael Fox Interior Consultants, St. Louis

Microsoft, Inc., Redmond, Washington

Morrison, Hecker, Kuder and Perrish, Kansas City

National Boulevard Bank, Chicago

Optimum Insurance Company of Illinois, Chicago

Plaza Motors - Mercedes Benz, St. Louis

Principia College, Elsah, Illinois

Prudential Home Mortgage, St. Louis

Prudential Insurance Co., Prudential - Bache, Chicago

Putnam Investments, Norwood

Reader’s Digest, Plainsfield, New Jersey and Pleasantville, New York

Rockford Mutual Insurance Company, Rockford, Illinois

Rolm Corporation, Chicago

Reuben - Proctor, Chicago

Shearson/American Express, Chicago

Simmons College, Boston

Six Flags Corporation, Chicago

Skadden, Arps, Slate, Meagher and Flom, New York

State of Missouri, Jefferson City

Swiss Volksbank, New York

Texaco, New York

Tip Top Cleaners Headquarters, St. Louis

TLS, Inc., Cedar Rapids, Iowa

University Art Museum, Univ. of Maine, Orono, Maine

University of New Mexico Museum

University of New Mexico Hospital, Albuquerque

USAA, San Antonio

UCR Duplicating Corporation, Chicago

Uick Corporation, New York

US State Department, Washington, DC

West Suburban Hospital, Oak Park, Illinois

Weston La Poloma Hotel, Tucson, Arizona

Wilman, Harrold, Allen & Dixon, Attorneys, Chicago

Zimmerlie Art Museum, Rutgers, New Brunswick, NJ